In an ideal technique of singing there is always a fixed relationship between the amount of tension assumed by the cricothyroids and the physical dimensions of the vocal folds. However, more frequently than not their tension is disproportional to the pitch, in which case the arytenoid system must react not ideally but in such a way as to compensate for the faulty tensing capability of the cricothyroids. As a result, the interaction between these two tensor mechanisms of the vocal folds creates interfering tensions which invite wrong tensions among peripheral areas of function, to a greater or lessor degree, throughout the entire vocal tract. As a consequence, singing becomes effortful with evidence of malfunction exhibited by tongue and jaw tension, poor breath management, etc.